Advice, Guidance, Comments, Essays, Tutorials and Opinions by AEA Members and Guests. You will also find Historical Articles of Note, links to Debates and articles collated from the World's Press. These are updated on a regular basis so there will always be something new and interesting each time you visit.
Association Guidance Packs
Articles by AEA Members
I offer to members and visitors alike three poems of mine that explore the darkest forms of love...China Hamilton.
Much has been written by philosophers, such as Aristotle, Immanuel Kant and Wittgenstein, about the nature of beauty, aesthetics and the ever shifting values that we place upon what we see and observe; but what does it mean to be ‘seen’ by another and how does that impact upon us as individuals and how we perceive ourselves and our own appearance/beauty?
The
production of our subject only exists and even considering our now digital
world, with the finial, actual print. I say this as even though we can look
upon our work on a computer screen, see it in the camera, digitally project
it onto a wall, [that also used to be done with things called slides] send
it wirelessly to an ever-changing picture frame, it isn’t a photograph
until it becomes a print that we can hold in our hands. All other forms
are ephemeral and victims so often of the vagaries of the device by which
we view the picture. On this I am most dogmatic, a photograph is only that,
when it is a print or reproduced [printed] in a book etc. Just as a film
is not a film when it is broken down in to individual frames but is a film
when it is run at usually 26 frames per. second. We live today in a world
that misappropriates the truth to a point where it sadly becomes accepted
by the majority - writes Association member China Hamilton.
The
key to working with models during an erotic art photo-shoot is having respect
and consideration for them, understanding who they are and what they want
to achieve, and for this being able to ‘read’ and empathise
with people is a very helpful skill - writes Association member Robert Babylon.
There
is something about the black and white nude. Unlike painting, where a full
range of subtle colours have brought centuries of nude subjects to life,
the majority of art nude photographers have stripped the original colours
from their nudes. Early in the history of photography there was no choice,
and even when colour processes did emerge, I suspect the quality of colour
available was unlikely to flatter the nude subject. However, excellent colour
films, fine tuned for capturing naturalistic skin tones, have been available
for decades, and in the digital age photographers have unprecedented control
over hue and saturation - writes Association member James Reynard.
Many photographers have been drawn to the temptations of this complex subject
and, because of the realism of photography, pictures can confront law and
morality quite uniquely. It is this difficulty that provokes the challenge
and, if you have tried, you will be aware just how hard it is. The subject
contains all the problems a photographer faces when taking a head and shoulder
portrait - plus the added concentration of our own sexuality - writes Association
member China Hamilton.
Everyone
who uses photo-editing software to produce colour imagery is probably familiar
with one of the many flavours of the RGB colour space. Even those who prefer
monochrome imagery probably work digitally in RGB. Those who print their
own work may also be accustomed to CMYK. In this article I would like to
promote the use of a third colour space - LAB colour – arguably the
most powerful space for processing colour images - writes Association member
James Reynard.
-
I initially indented to write an essay exploring the similarities between
practising homosexuals and artists of erotica – whatever their sexual
orientation. To show how we have a common bond in that we have all been
condemned and persecuted, by both secular and religious society, and to
illustrate how we have engaged on a similar crusade aimed at promoting understanding,
tolerance and acceptance - writes Association co-founder Paul Woods..
I
can't help it, I love this painting. It has a painterly quality I like.
Her skin is painted in delicious pinky flesh tones reminiscent of the alluring
sweets of childhood and, like a craved for candy, I want a taste. Her illuminated
body is pleasingly naked and exudes a tangible sexiness that I want to enjoy
as a voyeuristic delight that time dims and surrenders to tactile pleasures
- writes Association Co-founder Paul Woods
If
one were to attempt to describe the photographs that Jean creates it would
be in terms of a fusion of the images produced by Angus McBean (his theatrical
photomontages), Ralph Gibson (particularly his ‘The Somnambulist’
1970 era) and the Symbolist artists such as Gustave Moreau, Rodolphe Bresdin
and Fernand Khnopff - writes Association Co-founder Christopher John Ball
This is not a painting
with a goal to elicit a sexual response or to initiate a sexual desire from
the viewer. It does very little to sexually stimulate the senses. So why
am I writing about this as a piece of erotic art? Asks
Association Co-founder Paul Woods.
Just
as he enjoys using female models to create much of his still imagery - Daniel
predominantly casts women in the film roles because “there is an ideal
balance to be found by expressing emotion and sensuality with woman as protagonist.”
Asked to expand further he explains that he believes that women have “a
face that looks out from some aspect of human experience I can never really
know” - writes Association Co-founder Christopher John Ball.
As a professional
painter I am always keen to see new painters applying for membership. I
approach new work with an expectant pleasure and a hope of seeing works
that may excite me and become worthy new additions to the Association. But
sadly I am all too often disappointed when I am yet again confronted with
poor drawings and paintings so obviously copied from photographs culled
from porn magazines and used with no discernible skills or imagination.
There seems to be this misconception that if one copies a pornographic image
it will somehow transform itself into a quality, imaginative and creative
work of art. Don't be deluded, it won’t! - writes Association co-founder
Paul Woods.
Nic is on record as stating that he doesn’t see his work
as an… “abstract, a symbol or a statement…I’m trying
to make a decent picture, nothing more serious than that” but there
is far too much going on within his imagery, too many references, quotations,
symbolism and delightful constructs, for this to be anything more than just
a playful conceit and further example of his self deprecating humour and,
in truth, could possibly be a disservice to his work. The viewer is drawn
into his images and encouraged to ask questions – to enter into a
dialogue. His photographs are inherently about the sensuality and eroticism
of looking and they refuse to be ignored - writes Association Co-founder
Christopher John Ball.
Balthus
is a painter of some of the most erotic images created, images that have
subtle, ambiguous and powerful sexual tensions. Images of pubescent girls
abound in the work of Balthus but the sexual exploration these images force
are more of a mirror to our own thoughts, revulsion and desires rather than
that of Balthus himself - writes
Association Co-founder Paul Woods.
A
fascinating, step by step, insight into the many varied and complicated
processes involved with producing a life-size sculpture by Association member
Len Gifford.
Now
I’m one of those dying breed of photographers who once used film
in a camera. I think that I have actually been doing it for about fifty
years. I don’t do it any more as I have joined the digital club
but it started me thinking a while back. It was a long time, about ten
years, before I gave up my Kodak Brownie 127. Now that had a fixed shutter
speed, quite slow. Then I got a 35mm camera which had a choice of speeds
up to about 1000th of a second. Wow. So what has that got to do with erotic
photography? Asks
China Hamilton.
I
was obsessed by things sexual long before I was even aware of the meaning
of such primal feelings. Now I’m going to be rather hard on people,
you can’t be an artist who’s creative direction is into the
erotic subjects unless you are extremely sexually powered and aware yourself
- writes China Hamilton.
Association
co-founder Paul Woods discusses this ground breaking painting by Gustave
Courbet that shocked the art world in 1866.
One
of the distinctions between pornography and erotic art is that the former
presents actors on a stage, whilst the latter gives us a true vision of
the passions and fantasies of the artist and the subject of the work -
writes James Reynard
Chichen
Itza is now a federally controlled site and the Mexicans are REAL sticky
about anyone photographing the site for commercial purposes. Our agent,
Christine, from Airtransat told us that if we wanted to shoot anything
commercial, it would be an expensive and long process to get a permit
and we would have to travel to another city which was five hours away
to apply. I said “no” I just wanted to shoot my wife. “So
then, what’s the problem? She asked looking Oleanna up and down.“We
want to shoot nudes” I replied with a deadpan look on my face. Frederick
Potter writes a travelogue with a difference about what is possibly a
photographic first.
I
am well aware that I have a distinctive, signature style of photography,
which beyond its content is also identified by the way I light and present
an image - writes China Hamilton
A Life
Size Piece of Sculpture. When I first started thinking of the exhibition
“Strength and Power,” I decided that I wanted to create a
piece of sculpture especially for the exhibition and to document its making
- writes Len Gifford. Please
note - this will open up in a new window as a PDF.
Filters
are used within photography to modify the light falling on the subject
or passing through the camera lens. Even though we are now in the digital
age and see the widespread use of photoshop, filters still have their
uses and it doesn't hurt to have an understanding of how they work or
can be used. - writes Association co-founder Christopher John Ball
I
favour making negatives via an inkjet printer and printing out to the
desired size onto Overhead Projection Film. Inkjet negatives give the
photographer greater control over the finished image - writes Christopher
John Ball
Whether
you are using flash or tungsten the basics of good photographic lighting
are the same - writes Christopher John Ball
Though
almost all of today's cameras come with a 'built-in' light meter this
doesn't mean that the good old fashioned 'hand-held' meter should be thrown
away as useless - writes Christopher John Ball
In
this day of digital perfection and software correction the 'Pin-hole'
camera is a breath of fresh air and a superb tool to consider using on
your next photographic assignment - suggests Christopher John Ball
Though
it is possible to purchase an 'exposure meter' for calculating print exposure
times these can be expensive and, for fine art/exhibition printing, not
always accurate. By far the best way to ascertain the correct exposure
for any given negative/paper type is to produce a test strip - writes
Christopher John Ball Guest Articles: If you are not a member of the AEA but wish to have an article considered for publication on the Association Guest Articles section please email
THE EROTIC EYE AND ITS NUDE Judging from the massive production of erotic imagery in photo magazines, films, television, video and internet - not to mention the universal practice of 'girl-watching' - voyeurism and exhibitionism must occupy man's mind, if possible, far more than sexual commerce in the strict sense of the word - writes Stefan Beyst in this compelling thesis.
Historical Articles of Note and Influence
THE CRITIQUE OF JUDGEMENT by Immanuel Kant This important text laid down the foundations and frameworks for modern aesthetics and gave birth to Romanticism
Links to Articles of Interest and Press Reports: These links take you to website's outside of the Association and will open in a new window. If you wish to respond to any article and have it considered for publication on the Association website please email
All articles are for educational and research purposes only. Please respect the copyright of each author.